Latest – Page 2 5o34y
- Reviews
‘The Last Showgirl’: Toronto Review h3q33
Pamela Anderson enters the awards conversation as an ageing Vegas showgirl in Gia Coppola’s third feature
- Reviews
‘We Live In Time’: Toronto Review 6f5a2f
Florence Pugh and Andrew Garfield headline John Crowley’s time-hopping relationship tearjerker
- Reviews
‘Sharp Corner’: Toronto Review 6s6m1g
Ben Foster teams up with ’Blackbird’ director Jason Buxton to deliver this portrait of a ‘compelling non-entity’
- Reviews
‘The End’: Toronto Review 5v4p58
Joshua Oppenheimer’s first drama is a singular musical which details how one family es through the end of the world
- Reviews
‘The Piano Lesson’: Toronto Review 4w5311
This adaptation of August Wilson’s play is a Washington family affair for Netflix
- Reviews
‘William Tell’: Toronto Review q4x4m
Claes Bang takes aim at the the legendary Swiss marksman in Nick Hamm’s dour period epic
- Reviews
‘Nutcrackers’: Toronto Review i5ei
Toronto opens with this festive comedy/drama from David Gordon Green starring Ben Stiller
- Reviews
‘The Salt Path’: Toronto Review 605p6q
Marianne Elliott’s faltering move to the big screen stars Jason Isaacs and Gillian Anderson
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- Reviews
‘The Peasants’: Toronto Review 67g24
The ’Loving Vincent’ filmmakers return with a vivid oil painted animation about life in 19th-century rural Poland.
- Reviews
‘A Difficult Year’: Toronto Review 6s122p
This French social satire sees two lost souls find some purpose in an environmental action group
- Reviews
‘NYAD’: Toronto Review 3r634
Annette Bening goes the distance as real life endurance swimmer Diana Nyad
- Reviews
‘Wildcat’: Toronto Review 295u2s
Ethan Hawke directs his daughter Maya Hawke as Southern Gothic writer Flannery O’Connor
- Reviews
‘Fingernails’: Toronto Review 1m5y45
Jessie Buckley and Riz Ahmed fight the laws of attraction in this near-future set drama in which love is a science
- Reviews
‘The Burial’: Toronto Review 2s1s3s
Jamie Foxx and Tommy Lee Jones are the odd couple of flashy lawyer and small town client in this mid-90s set crowdpleaser
- Reviews
‘The Holdovers’: Toronto Review 2e4v5r
Alexander Payne reunites with his ‘Sideways’ star Paul Giamatti for this wistful 1970-set character study
- Reviews
‘Sorry/Not Sorry’: Toronto Review h4yc
Louis CK documentary reveals the deadly serious abusive underbelly of the US comedy circuit
- Reviews
‘Pain Hustlers’: Toronto Review 47264d
Emily Blunt shines in this otherwise muted true-life tale of a corrupt American pharmaceutical company
- Reviews
‘The Critic’: Toronto Review 193i2p
Ian McKellen is a gloriously acerbic 1930s theatre critic in a film that proves too genteel for its central character
- Reviews
‘Rustin’: Toronto Review 3b6a2u
Colman Domingo plays the man behind the March on Washington - who found himself sidelined because he was gay