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- Features
European box office: Laugh track 3g6o24
Comedies hit big for European films at the global box office in 2014. By Louise Tutt.
- Features
Is still a cinephile nation? 5b5ce
has long been a model of cinema-going culture. But with a box-office drop in 2013, a dip in local production and cinema audiences getting older, Melanie Goodfellow looks at the future of film culture in the digital age.
- Features
Indian box office: Local films race ahead 2xi5
Hollywood hasn’t yet maximised the potential of the Indian market, where 2013 saw some record-breaking Bollywood hits despite a slowdown in box-office growth. Liz Shackleton reports.
- Features
Box Office: Finding the funny 47b4s
With Anchorman 2 about to start its international roll-out, Ian Sandwell looks at the performance of comedies at the box office in 2013 and examines the prospects for Ron Burgundy’s return.
- Features
UAE box office: Riding to the rescue 64704v
Hollywood films of every stripe can take the UAE box office at a canter. But specialist titles, except for Bollywood films, tend to fall at the first hurdle and are increasingly pinning their hopes on VoD. Colin Brown reports.
- Features
Documentaries: the truth about summer 85745
Serious documentaries can be ideal counter programming to superhero blockbusters. Ian Sandwell talks to UK and US distribution experts about why summer releases can be smart moves for non-fiction films.
- Features
Baz Luhrmann at the box office 3m2l5b
Baz Luhrmann’s Cannes opener The Great Gatsby is his first film in 3D. Will it continue the director’s upward trajectory at the global box office? Ian Sandwell reports.
- Features
The fear factor 1n6s2t
Is resurrecting a horror brand a sure-fire way of scaring up box office around the world? Ian Sandwell reports
- Features
China rules 2012 4o3yx
With huge growth in 2012, China finally became the second biggest theatrical market in the world, behind the US. Ian Sandwell charts its rise and explores the five highest-grossing international territories last year.
- Features
Studio figures hit sky high i3c2u
With three films ing $1bn worldwide, 2012 was a banner year for studios at the global box office.
- Features
Ben Affleck’s box office takes off with Argo 1f1c9
Ben Affleck’s switch to the director’s chair has brought steadily increasing gains at the global box office. Ian Sandwell assesses his appeal.
- Features
Europe's most wanted 2e691h
From Intouchables to The Impossible, a host of local productions lit up the European box office in 2012. Ian Sandwell analyses the successes.
- Features
Hunting the box-office bounty 4691x
On the eve of the release of Django Unchained, Ian Sandwell charts the global performance of Quentin Tarantino’s most recent films.
- Features
Presidential campaign n4854
After a strong US debut, Steven Spielberg’s Lincoln is set for its international roll-out. Ian Sandwell assesses the global box-office record of cinema’s most successful director
- Features
The last bite 1qy3v
Currently rolling out worldwide, will the final instalment of the Twilight Saga manage to stake a bigger claim on the global market than previous films in the series? Ian Sandwell reports
- Features
Taking command 141w6a
The Master’s US opening scored a record-breaking screen average, and now it is looking to convert global audiences. By Ian Sandwell
- Features
Reaching for the Sky 573s63
Bond is back for his 23rd mission. Ian Sandwell explains how Skyfall looks set to maintain the momentum of the series.
- Features
UK and international box office healthy despite Olympics fever 92l3y
UK distributors were braced for “the huge challenge” represented by the Olympics, but box office has remained solid despite record numbers staying in to watch TV coverage.
- Features
China faces up to Hollywood competition 4p2d43
There was much hand-wringing at last week’s Shanghai International Film Festival (SIFF) about how local films are suffering following the widening of China’s import quotas for foreign films.
- Features
The UK's high five 14613
Buoyed by local hits, the UK box office rose 5% last year. Andreas Wiseman analyses the numbers.
