Latest – Page 4 4k5i1u
- Features
The films that impressed French audiences at Angouleme 2024 47311p
The Angouleme Francophone Film Festival is the first stop for the French industry after the summer break.
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FeaturesHow Toronto is evolving its industry offering ahead of 2026 market launch 686y1s
“We’re seeing it as a phased-in transition.”
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FeaturesToronto CEO Cameron Bailey on the return of actors and plans for the 2026 market 6b46f
Toronto International Film Festival CEO Cameron Bailey tells Jeremy Kay about this year’s highlights and competition with other fall festivals
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FeaturesWatch: Spain at Toronto - stand-out titles and key events for international industry v21x
Carmen Jordan, Director for Creative Industries at ICEX Spain Trade and Investment, shared details about the Spanish presence at Toronto this year.
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FeaturesToronto 2024 preview: Screen’s guide to the Platform and Midnight Madness titles 2a5g9
Toronto Film Festival runs September 5-15.
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FeaturesAlexander Rodnyansky on financing October 7 drama ‘Of Dogs And Men’ 421n1u
The drama is directed by Dani Rosenberg and premieres in Venice’s Horizons strand.
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FeaturesToronto 2024 preview: Screen’s guide to the Gala and Special Presentations 436858
TIFF takes the baton from fall rival Venice, offering an audience-friendly line‑up.
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FeaturesThe dark comedy is the first feature from UK born, Paris-based commericals and music video producer Jethro Massey.
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FeaturesHow Baltasar Kormakur recreated multiple time periods in Japan, Iceland, and London for ‘Touch’ 2j3qt
‘Touch’ follows Icelandic widower Kristofer who travels to Japan to find the woman he met and fell in love with in London 50 years before.
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Features“Measuring ovations is deeply silly”: what’s behind the rise of the ‘standing ovation’ story? 1n5f5o
One exec said he’s seen publicists with “giant stopwatches with glowing screens” independently timing ovations at film premieres.
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FeaturesFabrice du Welz’s ‘Maldoror’, about Belgian serial killer Marc Dutroux, is first in planned trilogy about “my very strange country” p4f1x
The film premieres out of competition at Venice on September 2.
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Features“Calm on set”: How Venice title ‘My Everything’ has helped to pioneer accessibility practices while filming 21h1
’My Everything’ and box office smash ’A Little Bit Of Everything’ both boasted the first ’accessibility coordination manager’ role.
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Features‘There was no budget’: The Quay Brothers on their epic 19 -year journey to make ‘Sanatorium Under The Sign Of The Hourglass’ 476j3b
Acclaimed UK-based animators have spent 19 years creating their latest feature-length film, a mixture of stop-motion and live action.
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FeaturesHow a new documentary sheds light on Jerry Lewis’s notorious lost film ‘The Day The Clown Cried’ 6y3030
Directors Michael Lurie and Eric Friedler have unearthed lost footage from ’The Day The Clown Cried’.
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FeaturesMy Screen Life: UK producer Rebecca O’Brien on her love of cold-water swims and 1960s musicals i431i
Revered UK producer O’Brien is a long-time collaborator of director Ken Loach and screenwriter Paul Laverty.
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FeaturesHow TorinoFilmLab is making sustainability more accessible for European film producers 2d321h
TorinoFilmLab’s pioneering Green Production Lab will match sustainability experts with European film producers to create a practical green plan for an project
- Features
Is the super-sized multiplex cinema on its way out in the UK? 6b4k4g
“You see far fewer 10, 12 or 14-screen cinemas opening now.”
- Features
Is Creative Europe Media "drifting away" from its core cultural objectives? 643b3k
The Creative Europe Media programme has long been a cornerstone of the European film industry. But some worry it is now prioritising business objectives over cultural ones — and independent filmmakers are losing out.
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FeaturesHow Laika’s ‘Coraline’ became the re-release hit of the year 5s5z6x
The ‘Coraline’ re-release has ed $27m worldwide.
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FeaturesThe lowdown on all the Venice Film Festival 2024 titles a553c
Screen profiles all the films in the Venice Film Festival’s official selection and parallel sections.
