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Valladolid is the place to launch into Spanish market, explains festival head José Luis Cienfuegos b5q1
Spanish distributors use the festival to see how their acquisitions work with audiences.
“Coproduction has got to be a focus,” says Screen Australia CEO Deirdre Brennan 23d15
Brennan reveals her priorities in one of her first interviews since taking on the role in January.
‘Peak TV’ era is over but drama market can recover, say scripted execs 1a1y38
Procedurals, which have long been the cornerstone of network dramas, are increasingly popular with cost-conscious streamers as well.
US musician Jeff Russo on his scores for ‘Ripley’ and ‘Fargo’, and being part of rock band Tonic 111s
The musician is up for a World Soundtrack Award for television composer of the year.
Laura Karpman on creating the scores for ‘American Fiction’ and ‘The Marvels’ c3343
2023 marked a pioneering year for Karpman, who worked on six film and TV projects across the year.
Can Mipcom lift the spirits of a struggling TV industry? 193a53
The event, running October 21-24, comes at a challenging time for many of the global TV industry executives who are gathering in Cannes.
Komplizen Film co-founders talk ‘Maria’, staying independent, Maren Ade’s next project 6o4u28
Jonas Dornbach and Janine Jackowski tell Screen about the Berlin-based production company’s ongoing rise.
Should indie filmmakers embrace or avoid FAST and AVoD platforms? o6i3v
Ad-funded AVoD and FAST platforms are booming as cash‑strapped consumers look for cheaper alternatives to subscription services.
‘Spirit World’ director Eric Khoo talks working with Catherine Deneuve and a return to Busan 5l6m5g
The film has been set as the first feature from Singapore to close Busan International Film Festival.
Why China’s Du Jie chose to make ‘The Height Of The Coconut Trees’ in Japan 3h33s
The film will world premiere in Busan’s New Currents competition
Kiyoshi Kurosawa on taking his latest directing streak in his stride: “I used to do five a year” 81n3i
The prolific Japanese auteur received the Asian filmmaker of the year award in Busan — after making three features in 12 months.
Busan 2024: The buzz titles from South Korea 2s42m
Supernatural thrillers, romantic dramas and the latest from Train To Busan director Yeon Sang-ho are among the titles being showcased by Korean sellers at BIFF and the ACFM.
Busan 2024: The buzz titles from Hong Kong 4e154w
A $50m action thriller with an all-star cast and the first film from Hong Kong to compete in New Currents since 2017 are among the features set for this year’s festival and market.
